Fashion School Tips: 5 Tips for Success

The idea of fashion school might seem like a catwalk, but in reality a degree in fashion is extremely demanding, rigorous and competitive. By following these five fashion school tips for success, you will be well on your way to a degree and a fashion career!

Tip 1: Pursuing Your Passion
If you are interested in pursuing a fashion design degree, it’s important to evaluate whether this is the right field for you. Do you see a fashion design and think about how to make it better? Can you not stop yourself from going through every magazine and critiquing the looks? Are you constantly altering you and your friends’ clothes? If you answered ‘yes’ to these questions, then fashion design school is probably for you!

Tip 2: Choosing the Right School
Now that you know fashion is your passion, the next step is choosing a fashion school that meets your needs. You need a school that has state-of-the-art equipment, that hires fashion professionals to teach its courses, plus one that is extremely connected to the current fashion industry. Are you looking for a school that is located in a metropolis? Or are you looking to take fashion classes online? This criteria will help you narrow in on the fashion school that is perfect for you!

Tip 3: Study, Study, Study
Now that you are in a fashion school that meets all of your prerequisites, you need to do well! This means picking the correct fashion courses to fulfill your degree and focus. Read each course syllabus thoroughly and create your calendar according to when assignments are due. Take notes during class and go over them before you attend class again. Give yourself plenty of time to complete your design projects – more than a week. Do not skip parts of your projects: draw a rough draft, select colors, make patterns, etc. Mastering correct study habits and your creative process early on will help you in your fashion future.

Tip 4: Make Connections
You go to classes, are doing extremely well and have most of the basics down. Now you need to take a look around you. What other students are doing well? Which instructors really stick out in your mind? You should volunteer to collaborate with them; offer to do extra projects with them and meet with your instructors if at all possible. The best way to make it in the fashion world is to pave the path with people that know and like you!

Tip 5: Put Yourself Out There
Now you know how to ace all your classes, create the fashion designs you love and you know your peers and professors. It’s time to take the plunge and put yourself out there: get a fashion internship! Your fashion school has connections and resources that you can only utilize as a student – take advantage! If you keep putting it off until after you graduate, you are missing the opportunities currently available to you.

By following these five fashion school tips for success you will be well on your way to a successful fashion career!

The Big Four Fashion Weeks: New York, London, Milan and Paris

The four major Fashion Weeks are held semi-annually and internationally. Each one of the Fashion Weeks has a unique style, all their own.

In 1943, New York held the first Fashion Week, and has been the quintessential idea of fashion week ever since. Now known as the Mercedes-Benz Fashion Week, it does seem to be the most commercialized of the big fashion shows, in that the clothes are created ready-for-market. Its styles and designs are arguably a lot ‘safer’ than the other three locations.

In 1984, London jumped on the fashion train and recently has been making a splash with its high-end couture. London Fashion Week has not yet reached the commercial level of New York and is less likely to follow fashion trends. Rather, each London fashion house showcases its unique take on fashion-forward concepts, and their collections are still market ready. The heavy hitters in London like Richard Nicholl, Christopher Kane and Giles Deacon are all amazing designers who produce commercially viable collections that would stand out at any of the fashion shows around the world.

Milan’s version of the week was established in 1958 and is part of the Big Four internationally. It is owned by a nonprofit association which disciplines, coordinates and promotes the development of Italian Fashion and is responsible for hosting the fashion events and shows of Milan called Camera Nazionale della Moda Italiana. The original Italian Fashion Week was not held in Milan, instead it was held in Florence at the hands of Giovan Battista Giorgini. He held the first “fashion parade” in the living room of his house “Villa Torrigiani”. Then the Italian week later moved to Rome, and then Milan where it is currently held in haute style today.

Paris is known as the fashion capital of the world, and holds the finale position in the fashion show tour. Paris Fashion Week brings each season’s chaotic schedule of international fashion weeks to an end. High-end French designers include: Christian Dior, Coco Chanel, and Louis Vuitton along with many more stunningly talented designers. Typically, Paris has some of the most extravagant shows, especially with Paris Couture Week.

No matter which of the Big Four is your favorite, each week is sure to dazzle its audience with new haute couture designs year after year. In addition to haute couture trends, innovative fashion designs have also been making a big impact, especially in New York, the only location that allows a fashion school to feature its students’ designs, which are often very fresh and inspirational. It is definitely important to keep up with the latest runway styles from all four weeks to stay on top of upcoming trends for the next season.

High Fashion Modeling Requirements As an Editorial Model – More Factors Than Just Tall and Skinny

Educating yourself to recognizing what editorial print modeling realistically “looks” like in a high fashion magazine is the first step to understanding the variations of the different types of editorial modeling and how it is different from the other more common types of “commercial” print modeling work. Editorial work in a magazine is a huge “jump-start” for a fashion model’s career. It is the experience many strive for.

“Editorial” print modeling refers to “magazine experience” for the model where a “story” is being told without words, but rather by photographic pictures (or groups of pictures) of the model in a high fashion magazine. This type of print modeling carries a very “prestigious” landmark on a model’s career. Its’ work includes the current fashion and beauty trends of society by showcasing designers, make-up, hairstyles, skin care, etc. as told and expressed via a pictorial story. Editorial modeling can even tell a story about all of the different aspects of people’s lifestyles. If you pick up any high-end fashion magazine you can find numerous examples of editorial print work.

Some editorials in magazines are considered so prestigious because they set the standards and trends for the current and “near future” of the market that the pictorial story is being told about. Refer back to those magazines that are from months, years, or even decades ago. Somehow, the editorial pictures you may find from that period of time have been a part of the history of fashion, beauty, or lifestyle as represented by that magazine’s staff.

Who thinks of the concepts of editorial stories in those elite high fashion magazines? There are teams of people all over the world who work for the various high-end magazines that have their input. These people write and create their concepts of what styles, models, designers, and trends are “IN” for any unknown given period of time. That makes them a very important part of the modeling industry. When glancing through those magazines you should note that an “editorial” is not an advertisement for any “specific” company, so if you see one specific product being advertised with its’ logo, then it’s an ad…that’s something different called a commercial print advertisement. If it “looks” editorial, but you see the company name in large print…it is meant to tell a story for that company’s image of what they want to sell to the consumer. High end fashion and beauty clients can place some creative, multi-page print ads into magazines that may mimic an editorial spread. The biggest difference is the rate that the model gets paid for doing a commercial, fashion ad for a high end client versus an editorial fashion spread for a magazine.

For the purposes of editorial modeling, pay close attention to how expressive, awkward, dramatic, artistic, and creative the poses of the model are versus the more refined poses you would see in a catalogue that emphasizes selling the clothes as #1. Remember, the editorial model promotes the story and concept via editorial pictures in magazines where the main emphasis is on the story or trends. In the magazine’s editorial (pictorial) spread there will be some sort of reference to names of designers and the cost of garments and/or accessories that are being featured, but it is not meant to act as a dedicated advertisement.

These magazine spreads get a lot of attention. Surprisingly, even though the editorial model is a strong statement in the “story”, it is only unfortunate for the model that this is NOT a high paying job (maybe only a few hundred dollars). This may be one of the only drawbacks of being an editorial model in the beginning. When you need the money probably the most (if you haven’t saved enough money to last you through this phase), this income doesn’t go very far in paying the high bills that go along with living and working in the “big city”. Most would expect models appearing in a famous high fashion magazine to be compensated well with money, but they are not because it’s not a paid advertisement by a client. It is a special feature created and presented by the magazine.

Apparently, from the fashion industry’s view, it’s the “prestigious” experience that has a lot of value to the model, so models have accepted this reality (whether or not it’s really fair). After all, when the magazine hires a model for an editorial spread they are hired to perform their service as a model representing the magazine’s concept and creative story…it’s a booking. It’s not a tax write-off for the model. The potential tear sheet may (or may not) bring more prestige and work for the model because truly it is not guaranteed no matter what anyone tries to offer as a reason to work for such less money. The magazines do play such a major role in the modeling and fashion industry that it’s a tough argument on the model’s behalf. The magazines rather monopolize on this fact, of course, so they will always find another model looking for their big break who will accept their terms. Could those famous fashion magazines afford to pay their featured editorial models more money? Only they know.

Remember this fact; everyone is replaceable in the modeling industry. It’s a harsh fact, yes. The ideal goal is to work and to adapt until you decide you don’t want to model anymore (before the industry decides you’re done). It doesn’t quite work that way because trends change, models age, and new-faced models pop up all over the place. There are more reasons, of course, but the fact that there will always be someone else to replace any model is why magazines do have that power to pay very low for their editorial placements.

Eventually, on the very positive side, it seems that the experience of editorial print modeling does lead to more money and prestige because of the increased exposure, tear sheets, and the demand for future bookings from clients who do pay more money (and that is pleasing). The editorial model is a standard of what the “beauty and fashion” message is for that moment in time, so everyone wants them. When an editorial story features that model, they are literally given a seal of approval as representing who and what is IN. So, moving on from the fact that it’s not even a little “high paying” job can lead the open-minded model to keep their business mind open, too. Consider the MANY, MANY “pros” to the model from the editorial experience. This part of their career rarely happens to a large percentage of aspiring models, so the #1 “pro” is that they are super-fortunate to even appear in and get tear sheets from a high fashion magazine.

Being realistic, there are many successful “commercial” print models that would have really loved to have been a high fashion editorial model, but they never had that opportunity. Once again, models are subject to other’s opinions and standards that control their career’s general success. There are things that models can do to increase their “editorial” skills and “look”, though, but there are just some models who will never get their chance at editorial modeling even though they may be uniquely beautiful, outwardly gorgeous, or even perfectly reach the standard sizes required of editorial models. It’s not easy to compete with the concept of “editorial” beauty, so your modeling career should be balanced if you strive for such a “prestigious” role. If the editorial modeling style is what you think you really want to do, you need to remember that those editorials may not pay your bills alone in itself, so that’s an area where a model should be well-rounded and versatile in many other types of modeling that can help supplement their income. There usually is no time for a busy fashion editorial model to have another job because a model has to be very flexible with their time for going on bookings, go-sees, fittings, etc. Establishing a back-up savings of money even in the early stages of a modeling career is crucial to hold you over as you build your career.

Things in the fashion industry can change quickly, so this can work toward your advantage if you are very close to starting your editorial modeling career, but the changes can be more harsh if you’ve already been established as an editorial model because many insiders within the industry will know you’re on the way down when the magazines stop booking you. That is the time to branch out to other modeling opportunities if you still want to work as a model. Editorial modeling is relatively for a very short period of time in most models’ careers, so the model that is fortunate to model as both an editorial and then a commercial model may see the long-term success in their career through the years.

If the opportunity for success happens, it is a wonderful landmark in the model’s career, so use it wisely. This is an opportunity to be positively recognized, so show your potential as being dependable, professional, and adaptable. Don’t blow the opportunity away by acting immature or childish. Being professional doesn’t mean being uptight and boring, either. There are interpersonal, social skills that need to be adapted for different occasions. The editorial model has contact with such a wide range of industry professionals that each has their unique role with diverse personalities.

REMINDER: Your life is your personal business, so be careful of what and how you communicate because first impressions are hard to change. For example, being late is very, very bad. Also, complaining can be annoying. Having a free-spirit can be youthful, but there is always a correct time and place to be a part of every party scene (and there are pros and cons to that which can make or break a model’s career if they don’t use any self-control appropriately in their lives.) Relationships do form with people over the span of a model’s career. Some people may be there for a very short time, but other relationships can last for years. It’s an industry of “acquaintances” that really have fewer “real” friends, but as long as you know your place and your role in the industry you can keep a better sense of who’s really there to help you. People tend to have motives that are self-orientated, so keep your eyes on people that can help you and be prepared to offer them the type of relationship that is okay with you, but not so they are taking advantage of you. This applies to relationships with other models, photographers, agents, clients, etc. There can be real friendships, and there can be golden opportunities made with the right people at the right time, but keep your “radar” on for people scamming or exploiting you.

The fashion industry is a fast, complicated institution full of many eccentric individuals. To please one individual may not be pleasing to another, while to please the RIGHT one may launch a young model’s career. There is an element of trend “followers” involved in responding to whatever the trend “setters” say is IN the moment, so the industry is truly guided by the elite, high fashion magazines. What does an editorial model look like? Back to the trends, this answer can have variations dependent upon the moment or particular designer. On average, an editorial model is not the standard, classic beauty that most people think of as being considered “pretty”. There are exceptions, but there must be something very unique and special that can make the model stand out. Often, editorial models have a somewhat quirky look that stands out as obviously unusual. Odd and exotic looks, very tall height, slim built bodies, and models who have the ability to be “chameleon-like” in their appearance are candidates for consideration as an editorial model. It sometimes is an odd personal experience for the model that felt awkward and different growing up and then they are placed in a unique position where they are made into fashion objects of beauty.

Editorial print pictures are artistic and expressive without words, but at the same time are meant to show the garments you are wearing, or whatever image the model is promoting in the best way possible. The poses are much different than catalogue, and the way the body is expressing the story requires a talent. Some may call the talent “acting”, and it’s a modeling skill that only emphasizes the importance of what every good model should possess. The skill of being a chameleon that can change to the mood of the moment easily is much easier to work with versus having the same looks over and over all of the time. When an editorial piece in a magazine is about showing an “edgy” look and a pretty model just wants to show how pretty she is…she has failed. She has failed herself, the photographers, the stylists, the designers, the magazines, and ultimately the consumer who sees this editorial pictorial story and gets the entirely wrong concept from her “pretty” picture. It’s not about how the model is supposed to feel about themselves, but rather doing the job that the model is booked for…a.k.a. whatever the client wants the model to portray (for instance, a.k.a. “edgy looking” model or “retro looking”, etc.). The model should always have a mental note in their mind of the “concept” that the client wants to see and bring it out in front of the camera (or on the runway). Editorial jobs are for the top potential models. If a model feels ugly or weird in what they are modeling for a magazine editorial, they must dig deep and find a way to make the concept exciting or very interesting to match the conceptual idea of what they are modeling.

One job leads to another very quickly when the models start doing editorials, but remember that this stage may not last very long. Enjoy the adventure and any perks because they just don’t happen for most models in their careers. There are so many people all over the world who dream the same dream of being a famous model and their fantasy never gets fulfilled to what they expected. So, when the elite opportunity arrives you should be aware of how fortunate you may be considered in the eyes of other models that may not have “walked in your shoes”.

For any given number of reasons, modeling is not always a highly successful occupation even for the talented person. The work is not always glamorous, either, even though the finished product in a magazine or couture fashion show may appear that way. On a positive note, models can be exposed to some small and very large perks, too. Perks are based on what you may each consider above and beyond what you actually earn in money as an extra bonus that’s not measured on your income tax statement (such as meeting celebrities, attending parties, etc). Your booking rate can increase with the more you become in demand, too. When a model is seen doing editorial spreads in different magazines…they are becoming in demand! Even though the “editorial” rate is low, this popularity branches out into a variety of other options for the model’s career that makes them very, very busy as a professional, working model.

Editorial modeling in a high fashion magazine is a PRIME booking for a model that is serious about having a career in modeling. It is not the type of assignment that you can get in most U.S. cities. New York City is the fashion capital of the United States and it is where the opportunities are for high fashion editorial work. There are other cities internationally that have a lot of editorial work, too, so a model’s willingness and financial ability to relocate and travel is a “must” in order to increase their chances in appearing in any magazine spreads. Not all American models start their high fashion careers in New York City. Many obviously want to, but few get the right opportunity. Agents may recommend that they gain more experience and exposure overseas where there are many magazines and opportunities that may help their career get better established before they venture around New York City. (We’ll discuss more about international modeling, later.)

It takes a special type of model (physically & mentally) to get a grasp on what is required of them in this type of specialty. Rejection is a big part of this career as common as the many, unfulfilled dreams. A model must cope with the reality that they are always being critiqued by many others. For the individuals who have been “good-looking” and socially accepted their entire life, it sometimes is very hard to deal with rejection based upon their “looks”. It’s not easy to take personal criticism, but the better you are at preparing for the worst comments, the better you may be at not being caught off guard. Letting it ruin your day is much better than ruining your career and self-esteem because you will need to have confidence in your skills as a model.

Your personality should adapt as you see more of the modeling industry as an insider. It may sometimes feel as if you are using every bit of your patience and self control in not trying to stick up for yourself to the many different people who may drive you crazy, but always remember what will be best for your success as a model in the long run. Don’t lose control nor lose focus of what your job is as a model and who you represent regarding the client and your modeling agency. Anything that you experience as a model that is unpleasant is usually nothing new to most other models that have worked for a little while, so hang in there and do your best to cope because there will many other models who will not be able to take the heat and drop out of modeling as quickly as they began their dream. It may sometimes be lonely or scary when you’re far away from family and friends, so you may quickly assume more independence without their support over time.

You’ll be facing issues in a modeling career that other people your age may not encounter in their job description such as nudity. In high fashion, there’s no room for too much modesty, either, because the model’s body is stripped down, dressed up, and stripped down again from client to client and garment to garment as part of the fashion business as a live mannequin (a.k.a. models). Your face and your body are part of the package used to promote the fashion story on the runway or in magazines (versus nudity for pornography). There’s a fine line between what is “accepted” in fashion that uses partial nudity versus that what the model is “expected” to portray intimately for pornography. Fine art using nude models or a revealing high fashion designer’s haute couture versus modeling nude on a website or in a pornographic magazine have different standards and is viewed by the industry as such, so be aware from the very beginning of what you are comfortable with.

Often, it’s not just modesty that is sacrificed in a model’s career that causes their parents to be on guard. Models may be placed in many scenarios that they are not familiar with and they need to trust that they are safe when they feel vulnerable. This is where the high fashion model’s agency is the key to managing its’ clients and models. Models change in front of each other and clients sometimes, wear provocative garments, and sometimes are told to act sensually with others (male and female) in front of the camera and on the runway. This is a part of high fashion editorial modeling, too, where modesty can hinder the model’s ability to perform and get the final results.

It appears that when you add in the actual physical requirements of the editorial model you may see the numbers dwindle down to who actually gets an opportunity and succeeds as an editorial model. The female editorial model is anywhere in her teenage years aged 14-19 (on average) and is very, very thin (size 0-2…maybe size 4, depending on trends) and very tall (5’9 -6’0″). She won’t have very large breasts (under 34 C-cup), nor body piercings and tattoos. (*unless approved special circumstances). Add to her body’s physical requirements a “uniquely” beautiful face with interesting features and the average number of qualified females dwindles down even further. Remember, sometimes it’s not a typically “pretty” girl who photographs like a strong, chameleon-like, editorial model…sometimes a “pretty face” just photographs as a “pretty face” and that’s not always interesting in the fashion world.

The standards for male models are somewhat similar, but their age is older (average 18-25) and their height should be 6’0″ wearing a size 40 suit with approximately a 34 inch inseam. The male models should be lean, cut, and fit versus having too many bulging muscles that don’t fit in his clothes. He, too, must be where the editorial work is either in the U.S. or internationally. The male model may face his own obstacles when faced with what is expected of him, but there are many shared basics of modeling between female and male models relating to the industry and facing rejection.

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Wholesale Fashion Jewelry – 5 Shortcuts to Retail Success

Something in the human spirit is always itching for independence and this itch translates to a constant flow of new entrepreneurs that so often gravitate towards fashion jewelry. What is so irresistible about this accessory? Beyond the high profit margins that wholesale fashion jewelry can open for retailers lies an intrinsic beauty that creates truly wearable art. Yes, wholesale fashion jewelry offers plenty of profit potential that enables retailers to turn small investments into the longest mark-up in the fashion industry, but the magic of fashion jewelry’s beauty stops consumers in their tracks and this magnetic attraction, more than anything else, brings the entrepreneur into retail sales specializing in jewelry.

Many of these new fashion jewelry businesses begin on the simplest level with retailers buying wholesale fashion jewelry and presenting it to friends and co-workers. Easy sales and new found profits ignite a fire to grow the business, but what step comes next? As a twenty-five year veteran of the wholesale fashion jewelry industry, I have seen business after business start in this way and often grow to become the major supplier of fashion accessories in a community. The learning curve never ends as fashion jewelry evolves as well as retail tactics, but some things never change and these key techniques will have positive impact on your fashion jewelry business.

But first, how are you going to sell your treasure of wholesale fashion jewelry? Outgoing personalities love the active sale. Visit businesses, do parties, set up in flea markets or craft shows, and bubble over with enthusiasm as you introduce stunning fashion jewelry to consumers. All they need is a crowd and permission to set up. Bingos, festivals, school picnics, car shows, sporting events-the list is endless. Overhead is low and actually stops when not engaged in sales activities. But so does sales, so many prefer brick and mortar businesses with a higher overhead, but continuing business even when you’re not there.

The quieter, methodical personality may not be up to this bubbling enthusiasm and choose a passive sales mode. Successful businesses often build without the entrepreneur ever engaged in active sales to the consumer. They connect with beauty shops and other locations to provide fashion jewelry on consignment with the owner profiting as well as the entrepreneur. Methodical personalities think out the details like how to handle shrinkage of missing items with no sales recorded. Increasing price and lowering consignment fees compensates for losses when fashion jewelry has open exposure that can result in more shrinkage. The flip side is reduced sales in secure environments like showcases or behind the counter, which reduce shrinkage, but unfortunately, also sales.

Okay, both personalities have a selling method they are comfortable with and both can expand their business with online marketing by working on websites while their sales support them as the websites grow, climbing higher in the results of major search engines. But what about the 5 shortcuts to retail success? They boil down to pricing, selection, presentation, knowledge, and benefits.

-First comes pricing the wholesale fashion jewelry. New entrepreneurs often feel shock waves as they see the wholesale cost compared to retail prices they paid as consumers. The first temptation is undercut all the competition. Stop there!-because fashion jewelry is cyclical and low prices generate low profits that don’t carry retailers through the tough times. Do you want to spend all your earnings on restocking wholesale fashion jewelry and covering overhead? Of course not, you want to grow your business and make a profit and pricing is important.

Retail uses a term called keystone-a nice word for doubling the wholesale price. Make keystone the minimum for mark-up in fashion jewelry and look for the items that give you room for far longer mark-ups. The upside has no rules. Let your intuition guide you because prices can always come down, but it is difficult to go up.

-Next comes selection and this is a factor that major retailers like fine department stores are always struggling to get right. Stroll through one and you will see they have reduced staff on the floor so selection often has to sell itself. The fine department stores need “no miss” choices and have resources, forecasts, statistics, and trained buyers to make these decisions. Small retailers don’t need to be discouraged because this isn’t rocket science and you are closer to the clientele in your location than any major retailer.

Making the perfect selection rests on the age and demographics of your main customer base. Add this to the fashion trends of the season and you are close to perfect. How do you keep up with all those rapid changing fashion trends? Well rapid change is a myth. Trends change very slowly-often over a decade. Yes, colors and subtle adjustments occur every season, but today we are in the midst of classic trends that started in the early 21st century and have a promising future. More on this when we cover knowledge.

-Now for presentation-making the fashion jewelry look special. Ever notice how necklaces clumped together on a tee bar on top of a showcase seem to scream “I’m on sale” while the stuff in the showcase whispers “I’m special”. That’s presentation and how it has changed even for fine department stores.

Teri Agins in The End of Fashion details how department stores that were once “the first visual contact with fashion” and “introduced merchandise concepts to customers” changed in the late 20th century to a collection of brands. Agins quotes one upscale shopper who “was appalled when she discovered $19.99 Nine West shoes displayed right next to $350 Chanels” in her favorite department store that was compromising its image of elite fashion. Make an item look special and it takes on the perception of higher value.

-Next comes knowledge that is worth more than price. Don’t believe it? Think of items you bought because the sales person impressed you with a deep understanding of the product. That was worth more than price. I personally experienced this lesson when I did a trade show with a colleague. I told my customers the fashion jewelry was a real value at the price. His sales person painted a word picture of the wholesale fashion jewelry with the season’s apparel and wrote more orders without the customers even knowing the price.

Knowledge is knowing the trends and knowing the item. Consumers trust a well-informed source and when you know what is today’s style and why it looks right on the customer, you remove the burden of choice from the buyer.

Knowledge today goes deeper because classic trends in fashion jewelry bring gemstone components, shell, Murano style glass, Millefiore, and more to jewelry designs. A story is worth volumes in explaining glass jewelry and knowledge of gemstones that removes the doubt about whether it is real. Don’t be overwhelmed about understanding the trends and knowledge of today’s components because everything is detailed in a report, Wholesale Fashion Jewelry-The Magic of Trends (find a link to the report at the foot of this article).

-Finally there are benefits. Think of benefits as vision-what the customer envisions. Anyone that buys fashion jewelry wants to make a positive statement. They want a look that is flattering and appropriate. So like the car commercial running on the radio, features describe the details like length, color, texture, and shape while benefits say “matches apparel while complementing your complexion”, “draws attention to your slender neck”, or “creates a youthful look that is so you”. The old adage of sell the sizzle, not the steak, gets to the point. Pick the right item for the customer, be sincere, and sell the sizzle.

Will all this work in a slowing economy? Absolutely! In worrisome times women appreciate an escape valve of some small new purchase. What fulfills this better than fashion jewelry? Apply the five shortcuts and lift your customers’ spirits with a feel-good experience.

Choosing Fashion Accessories

Would you like to improve and update your appearance, at the least in terms of your fashion accessories and style? If you are, you may not just want to look at the latest in fashion trends, as far as clothing, but you may additionally like to examine the latest trends in fashion accessories Fashion related accessories are quickly increasing in popularity, though many people still have no real idea exactly what they are.

In relation to fashion accessories, you will find that a wide variety of differing products are included. Fashion accessories, such as fashion clothes and such items, come in a number of differing sizes, shapes, and styles. You can find fashion accessories that are created for young kids, teenagers, men, women, small sized, and plus sized people. A few of the many fashion items that you might find at one of your local fashion shops or on-line stores are described here.

The most popular fashion addon items is jewellry. As was previously discussed, fashion accessories are designed for all varieties individuals, regardless of age or gender. For teens and children, fashion jewelry items that are fashionable often include colorful pieces, including charm necklaces or charm bracelets. In terms of men, a very popular type of jewellery often includes large pendant necklaces, many of which display a cross or another popular or significant symbol. As for ladies, trendy items of fashion jewelry consist of earnings, rings, necklaces, bracelets, pins, and so on.

Another type of fashion accessory that you may have an interest in buying is a purse or even a handbag. Teens and women most commonly own purses and handbags. A purse is often used to describe a bag which is smaller or compact in size and handbags tend to be a little bigger. Handbags and purses come in a number of differing styles; therefore, it’s common for many ladies and teens to possess more than one purse or handbag. Actually, many individuals out there prefer to match their fashion accessories, including their purses and handbags, with the clothes that they wear.

In conjunction with handbags and purses, travel bags can be considered a fashion accessory. Travel bags are much like purses and handbags, except you will find that they’re often created for both females and for males. A travel bag might include a smaller bag that can be used as a carryon bag for an airplane ride, a diaper bag, as well as a laptop carrying case and so on.

Shoes and boots are also considered a fashion accessory, although many do not necessarily think them to be. Most often, females’s shoes and boots are considered as fashion accessories, as opposed to men’s shoes and boots. Certainly one of the reasons for that is due to the large choice of females’s shoe styles that you’ll find available for sale. For instance, it’s more than possible to find athletic shoes, casual sandals, elegant sandals, flat dress shoes, high-heeled shoes, and so forth. As with handbags and purses, many women own multiple pairs of shoes and many endeavor to coordinate their footwear, particularly for work, with the rest of their ensemble.

Another one of the many differing types of fashion accessories available for purchase are belts. For a lot of men and boys, belts aren’t necessarily considered a fashion accessory, as much as they’re a way to hold pants up; though, the same does not actually ring true for females. women’s belts come in a number of differing sizes, shapes, and styles. That is definitely one of the reasons why females’s belts and belts which may be designed for kids and for teens are often considered as fashion accessories. One can find belts out there that are created for wearing with an informal pair of jeans, as well as a pair of conventional kaki pants for work.

Belts, handbags, purses, travel bags, jewelry, and shoes and boots are just a few of the countless fashion accessories that you may be able to find for sale at one of our local fashion shops or even online. As a reminder, fashion accessories are a great way to spice up any wardrobe, especially one that can use an updating.

The World of Fashion

Fashion is one of the most interesting subject in the world. Its an important aspect in most culture. Different clothes are worn in different cultures. There are number of colors and variety of clothes that are worn by different people in different regions of world. There are number of different styles, colors, clothes and accessories.

Fashion represents one culture different to the other. Fashion is one the great way to express ones feelings. Bright colors show happiness. And the opposite colors will show probably sad, and especially at a day like that everyone is wearing black. Fashion also depends on mood and situations. People dress up as per the occasions. On some happiest moments of life or any party or wedding people love to wear bright and stylish clothes. And on some sad situations or on lost of someone people mostly dress up with white and black dresses, depends on their region or culture.

So fashion is the only element that makes your day special with your love ones. If we talk about India, then India is very rich in using bright colors, long dresses specially on some special events and occasions. India has number of cultures and festival in it. For every festival different styles of clothes and appearances are used.

Fashion shows are also playing an important part in spreading fashion. Fashions shows play an important part in spreading one’s culture and fashion in other cultures. Through fashion shows people know about fashion of different cultures, try to grab them and no doubt we love the fashion trends of others and always remain interested in knowing others’ fashion.

These days number of fashion shows and fashion weeks are organized in different parts of the world, showing different cultures, variety of clothes with number of styles and attractive colors. Fashion shows have become an important place to know about new fashion and fashion trends. Fashion shows are organized on corporate levels and number of celebrities and common people participate in it to get the ideas on new fashion and clothes.

Living History in Bedford, Pennsylvania

Bedford, a pocket of preserved past, offers the visitor a living history experience, enabling him to walk the paths his forefathers forged, inspect several important houses and forts, and even stay in the very resort which sparked its rise.

Covered with a quit of rolling hills, meadows, and forests, the former frontier called for a soul to exert its intrinsic properties of creation on it, as evidenced by the forts which had risen from Harris Ferry along the Susquehanna River in the east to Logstown on the Ohio River in the west during the French and Indian War of 1754 to 1763. Marking the westward expansion of the British like a series of GPS waypoints, they carried names such as Lyttleton, Loudon, Frederick, Raystown/Bedford, Cumberland, Ligonier, Necessity, and Pitt/Duquesne. The two with the dual designations, however, were to be the most instrumental in the area’s development.

Where transportation paths meet, settlements usually rise, as did the town of Bedford in the form of a fort erected by the British during its 1758 campaign against the French along Forbes Road, which had previously been a cohesive collection of Indian trails. They would later evolve into the first trans-Pennsylvania toll rode artery, facilitating horse and wagon transport.

Constructed by Colonel Henry Boquet, General John Forbes’ deputy, the irregularly shaped fortification, covering 7,000 square yards, sported five bastions. A four- to five-foot deep by three-foot-wide, V-shaped ditch encircling its perimeter supported 18-foot-long, side-by-side laid logs, cut from the surrounding oak forests and hewn flat and snugly interlocked before being inserted, while a loopholed gallery extended from the central bastion on its north front down to the water’s edge. Swivel guns guarded its corners.
Entry was provided by three gates-a main one on its south side parallel to today’s Pitt Street; a second, smaller, west-facing one; and a northward-opening postern one.

Perched on a bluff overlooking the river gap, the initially-designated Fort Raystown served as a staging post for 6,790 westward-advancing troops subjected to attacks during their crossing of the imposing Allegheny Mountains, but replenished with necessary supplies before they continued toward Fort Pitt/Duquesne, stronghold of the French.

The British strategy proved successful: their opponents were defeated, effectively removing the barrier to English-speaking control of the Ohio Valley and, ultimately, America.

Redesignated “Fort Bedford” at the end of 1758 after the Fourth Duke of Bedford, England, the bastion served the secondary purpose of providing a sense of safety against Indian attacks, its security fostering settlement of people in search of agricultural valleys and timber-abundant mountains. It thus provided the seed from which the namesaked village eventually grew, becoming the first county seat west of the Tuscarora Mountains and, for a time, all of Western Pennsylvania, strategically located on the intra-state roadway.

Laid out in 1766, it was incorporated 29 years later, on March 13.

County development, paralleling that of the town, was spurred by the discovery of coal on Broad Top Mountain, giving rise to the rails needed to transport it to the area’s budding iron foundries and sparking a 100-percent population increase between 1870 and 1890 alone. Track networks, facilitating iron, timber, and passenger conveyance, were later supplemented, and finally succeeded by, the Lincoln Highway (Route 30), which connects Bedford with Pittsburgh, and the Pennsylvania Turnpike.

A short, in-town walking tour of Bedford itself enables the visitor to step back into its history in several important buildings.

The National Museum of the American Coverlet, for instance, is housed in the Common School, itself constructed in 1859 at a $7,000 cost and opened with an initial, 211-student enrollment the following year. Functioning as a school until it was sold to private interests in 1999, it incorporates a significant portion of its original structure, including its middle section, ventilation system, and surrounding iron fence.

The Bedford County Court House, built by Solomon Filler between 1828 and 1829 at a $7,500 cost, equally exudes originality, particularly in its tower-installed clock, which had to be hand-wound after a vigorous climb until it was electrified in 1975, and its two internal, self-supporting, circular staircases which lead to the second floor, portrait-lined courtroom. The pair of columns characterizing its façade, later donated by Filler himself, represents God on the left and justice on the right.

The Man on the Monument, located at the intersection of Juliana and Penn streets, was erected in 1890 to honor the soldiers who sacrificed their lives during the Civil War, incorporating the more than 20,000 pennies school children had collected for it. It was moved to its present location in 1957.

Behind it is the site of the city’s first courthouse and jail, constructed of blue limestone between 1774 and 1775.

One of the most significant structures-so much so, in fact, that it was designated a National Historic Landmark in 1984-is the Espy House. Owned by Colonel and Mrs. David Espy, it served as George Washington’s headquarters during the 1794 Whisky Rebellion, in which Western Pennsylvania farmers protested the excise tax imposed on the alcohol by Secretary of Treasury Hamilton. Thwarted by Washington’s 13,000-strong Federal Army, which had claimed the surrounding expanses for its own overnight accommodation, it marked the first and only time that a US president had commanded an army in the field.

Dispersing into the hills by October, the rebels demonstrated defeat.

The National House, opening its doors to weary travelers as a hotel for almost its entire existence, was strategically located on Forbes Road, which is now designated “Pitt Street.”

Built, like the Court House, by Solomon Filler, the Anderson House stands on land acquired from state-namesaked William Penn and was used as a medical office at its front and the Allegheny Bank of Pennsylvania at its back. It served as the only such public depository between Pittsburgh and Chandersburg.

Fort Bedford Museum:

The original fort’s importance was short-lived and the site of only one historically significant event: attempting to release the prisoners held there, James Smith and his Black Boys captured it on September 17, 1769, but after the French and Indian War, its garrison had already been reduced to a paltry 12, and by 1775, when the frontier had moved to Pittsburgh, it quickly spiraled into a state of disrepair.

In order to celebrate Bedford’s bicentennial, a blockade-style structure, formed by logs and chinking, rose from the site of the original fort 200 years after it had been built, in 1958, still perched on a bluff overlooking the Raystown Branch of the Juniata River. A section of its north wall was added in 2006, adjacent to what is now the Fort Bedford Museum.

Subdivided into a main gallery, a transportation room, a rear gallery, a mezzanine, and a gift shop, the blockhouse building internally exudes Western Pennsylvania’s New Frontier atmosphere, displaying some of the 2,000 artifacts in its collection, inclusive of Native American implements, civilian and military objects, household items, flintlock riffles, antique hand tools, 19th-century women’s clothing, a Civil War cannon, a Conestoga wagon, a stoneware crock, documents signed by the Penn family, and a Bedford Springs Resort ledger displaying President Buchanan’s signature.

Its focal point is a large-scale model of the original fort depicting Forbes Road, the Juniata River, and its surrounding area. But, perhaps the rarest piece in the collection is an original, 1758 flag. A gift to British forces at still-designated Fort Raystown from England’s Fourth Duke of Bedford, the hand-sewn, red silk satin damask flag, sporting a 23- by 24-inch union jack canton on its upper, left corner, prompted the fort’s renaming to Bedford at the end of 1758 in his honor. Although no evidence exists as to whether this was its official one, that had hung in the Officer’s Quarters and was only displayed during special occasions.
Nevertheless, patriots from a British officer seized it when freedom from English rule, expressed as the Declaration of Independence, traveled by word of mouth to Bedford.

The museum’s example is the only known British Red Fly to have survived from the French and Indian War.

Old Bedford Village:

The Fort Bedford Museum offers only a single taste of the town’s past. But the more than 40 original and reproduced log, frame, and stone structures comprising Old Bedford Village enable the visitor to step into the shoes of citizens past and walk their paths, interpreting the early pocket of Pennsylvania life preserved here.

A drive through the Claycomb Covered Bridge and a brief pass through the Welcome Center returns him to Pennsylvania’s dawn as a colony, where horse-clomping carriages are pulled over gravel paths, plumes of smoke spiral from log cabin chimneys, people wear period dress, and the sounds of striking metal reverberate from the blacksmith shop.

The village offers several examples of era dwellings. The Biddle House, for instance, is a two-story log structure originally built a few miles away in Dutch Corner, and is one of the earliest within the complex. Its V-shaped, double fireplace provided both heat and a method for cooking.

A hybrid of dwellings, the Kegg-Blasko House next door incorporates the remnants of a structure built by Thomas Kinton in 1768 and James Heydon in 1790, both located in Bedford County.

An 1802 deed identifies the village’s Semanek House as “the log mansion,” which originally stood in the village of Ryot in West St. Clair Township. It employed now almost-extinct chestnut in its construction.

The Williams Cabin is typical of the shacks most first-generation settlers lived in until time and establishment enabled them to construct more substantial ones, while the contrastive Anderson Victorian House, assembled from Anandale Hotel lumber, evokes its namesaked Victorian period.

Two schools are represented: the Kniseley School, of standard configuration, was constructed near Pleasantville in 1869 and used until the 1930s, while the appropriately-named 8 Square School, an octagonal building created in 1851 by Nat Hoover in East St. Clair Township, tended to be frequented by children of wealthier families.

There are numerous shops and services where costumed citizens still practice original methods. The Ice Cream Parlor features 17th-century cottage style construction and Feather’s Bakery, believed to have been built by William Nichols in 1808, still produces purchasable baked goods in its ovens as the “Old Bedford Village Bakery,” as evidenced by the aromas escaping from its opened door. Light lunches can equally be enjoyed in the dark, wooden-booth-provisioned interior of the Pendergrass Tavern, whose original counterpart had been located just outside the walls of Fort Bedford in the 1750s.

Other life necessities from the period were obtainable from the Chandler (candles), Furry’s Basket Shop, the Cooper Shop (barrels and casks), the General Store and Post Office, the Old Bedford Village Press, Bedford County Rifles, the Carriage Shop, Fisher’s Pottery, the Whitesmith (tin), and the Broom Shop.
Human power propelled all of the village’s machinery, as indicated by the foot-pedaled laith and bicycle-resembling jigsaw in Hemings Furniture and Wood Shop, and in Antonson Blacksmithing, where the tools necessary for many other period crafts took shape, including the very shoes needed to run the day’s engine-the horse.

The village also took care of man’s improper, earthly behavior in the jail, which represents the type used prior to 1800 in a county seat, and ensured that his Heavenly soul would not go ashtray in the Christ Church, a replica of the 1806 Union Church which is made of logs and still stands west of Schellsburg.

Educational programs, employing the village’s rich resources and entailing craft making, teach, depict, and demonstrate 18th- and 19th-century Pennsylvania life by means of quilting, candle dipping, coopering, blacksmithing, basket making, spinning, wheat weaving, leather working, tin smithing, broom making, Maize Pappouse doll making, and buggy riding in a series of classes, lectures, and tours. Village-made arts and crafts are purchasable in the Welcome Center’s gift shop.

Seasons and holidays mark special events, such as colonial crafts exhibits; festivals with historical customs, costumes, and cuisine; gunfights with muzzle loading; Civil and French and Indian War reenactments; Old West weekends; murder mystery evenings; pumpkinfests; and Old Fashioned Christmases, which see the village aglow with candle lanterns.

Bedford Springs Resort:

Bedford’s many important houses and forts enable the visitor to glimpse its history, but the Bedford Springs Resort enables him to live it.

Although the original Bedford Fort and Broad Top Mountain-discovered coal had attracted people to the area, there had been one other important draw: mineral springs.

As far back as 1796, Dr. John Anderson discovered what Native Americans had long known-namely, that drinking and bathing in the water from the area’s seven chalybeat, limestone, sulfur, and sweat springs produced both restorative and curative results. Incorporating these otherwise cost-free remedies in his own medical practice, he elected to purchase the 2,200 acres surrounding them and construct his own home on them. But his privacy in this idyllic spot was short-lived.

Traveling to Cumberland, Maryland, and then making the final 21-mile trek to Bedford by horse and wagon, a growing number of visitors was drawn to the area in search of the springs’ curative powers, and Dr. Anderson initially accommodated them in impromptu tents, preparing customized prescriptions based upon individual health requirements. Bathing facilities took form in 1802.

But the unquenchable thirst quickly demanded replacement of the temporary tents with more permanent-and area-indicative-accommodations–in the form of the Stone Inn four years later, whose very building blocks, like the waters, were freely provided by the springs-adjacent mountain and oxen-hauled down its sides. Permanent in location, it was only temporary in fulfilling its purpose, as the number of guests exerting demand for it quickly exceeded its capacity.

According to a travelogue written by Joshua Galpin in 1809, when the Stone House had already been joined by Crackford and a precursor to Evitt House, the facilities included a “large frame lodging house and several smaller ones for families-warm and cold baths and a billiard room.”

The Swiss building and others quickly rose from the once edificeless expanse.

Increasingly known for its comfortable accommodations, cuisine, and activities emphasizing its natural surroundings, it consistently attracted guests from industrializing eastern seaboard cities, as well as a growing list of wealthy, prominent dignitaries. Future US President and Pennsylvania native James Buchanan, for instance, first visited Bedford Springs in 1821 and would eventually spend 40 summers there, dubbing it his “Summer White House.” In 1848, James K. Polk became one of ten sitting presidents to stay there, followed by Taylor, Taft, Polk, Harding, and Eisenhower, among others, along with nine Supreme Court justices and countless celebrities. Buchanan himself received the first transatlantic cable, sent by England’s Queen Victoria, at the resort ten years later.

Travel to Bedford was greatly eased in 1872 when rail access connected the growing area with powerhouses such as Philadelphia, Washington, and New York for the first time.

Developing into one of America’s grand resorts during the end of the 19th century, it appropriately reflected the period’s golden age with spring houses, bridges, gates, and trails, and the transatlantic cable was to serve as only the first of many resort-associated innovations: it introduced one of the country’s first golf courses, designed by Spencer Oldham, in 1895, for example, and it was followed a decade later by the first indoor, mineral spring-fed pool, complete with a solarium and hydrotherapy rooms.

Although medical advances tipped the scales away from the Bedford Spring’s original purpose, its reputation as a luxurious resort serving a prestigious clientele was firmly entrenched in the area which had created it-so much so, in fact, that a central colonnade now connected the main dining room with a columned pavilion at Magnesia Springs across Schober’s Run.

Its role, still maintaining a luxurious touch, shifted between 1941 and 1943 when the US Navy, occupying the resort, trained some 7,000 sailors in radio operations, and it then served as a detention center for almost 200 Japanese diplomats captured in Germany during World War II until they were exchanged for American prisoners-of-war held in Asia.

Modern influences were again exerted in the 1950s with the installation of environmental control and sprinkler systems.

Inevitably, popularity wrestled with purpose. Travel trends shifted and, despite having been designated a National Historic Landmark in 1984, it continued to decline until it was closed two years later. A subsequent flood wreaked havoc on its 200-year-old wooden walls.

But Bedford Springs Partners, still detecting its glimmer of glory, purchased the once grand dame of properties for $8 million, subjecting it to a massive, $120 million restoration to resurrect and return it to its 1905 golden age guise and reopening its doors on July 12, 2007 after an eighth mineral spring had intermittently been discovered. After a secondary acquisition two years later, it was renamed the “Omni Bedford Springs Resort and Spa.””

Its self-proclaimed mission is to “open history’s door.”

Located in the Allegheny Mountain region of south-central Pennsylvania, and overlooking Cumberland Valley, the Bedford Springs Resort is accessed by driving down a small, return-to-history hill to a sanctuary preserved in time, and then passing the white, porch-lined façade of a sprawling mansion. Negotiating manicured lawns and formal gardens amid the audible trickles of streams and springs, the visitor enters the circular driveway, which approaches the dual-story, brick, ante-bellum Colonnade. Aside from being a National Historic Landmark, the resort is both a Triple-A four-diamond property and ranks as one of the Historic Hotels of America.

Serving as the core of connectivity to the mixture of adjoining building styles, the Colonnade itself houses the guest reception adorned with an original, 39-star American flag; the lobby; the location of the daily, complementary afternoon tea service; and the staircase leading to the ballroom. One of its wings leads to the Stone Inn with its Frontier Tavern and 1796 Room restaurants, while the other leads past the Crystal Room Restaurant, through the library, past the Che Sara Sara snack stand, the indoor pool, and the shop-lined corridor to the spa.

The resort’s 216 rooms and four suites, located in either the Historic or new Spa Wing, are seeped in history and tradition, yet offer modern luxury, with authentic patterns and textures, marble floors and vanities in their bathrooms, Egyptian linens, and authentic, bygone-era reminiscent walking sticks.

There are several restaurants.

The Crystal Room, for example, had formerly served as the Music Room and had also been used as the Ladies’ Parlor. Renovated in 1905 during the resort’s grand campaign, it replaced the considerably sized facility upstairs, which then became the Colonnade Ballroom. Now featuring a screen of classic Doric columns on either side, it sports original, name-reflective crystal chandeliers; gilt-framed mirrors; Victorian, round-back chairs; four hues of blue; a rotisserie; an exhibition kitchen; a 1,500-bottle wine cellar; and a collection of guest photographs taken between 1892 and 1898. It opens on to the private Daniel Webster Room.

The Frontier Tavern, located in the hotel’s Stone Inn section, had been a stagecoach stop from which the Bedford Spring’s earliest guests had been wagon-transported to the original tavern three miles away for dinner. Adorned with period artifacts, such as a bear trap, tools, a wood stove, and colorful crockery, it also sports a bar and billiard table.

The 1796 Room, also located in the Stone Inn section, reflects the very year that Dr. John Anderson first purchased the Bedford Springs property and exudes this 18th-century atmosphere with a steaks-and-chops, American colonial menu, which also includes choices such as bison, venison, rabbit, wild boar, quail, game pie, and mountain trout.

The mineral spring-fed indoor pool, returned to its 1905 appearance, sports the orchestra pit from which guests had been entertained more than a century ago.

The 30,000-square-foot Springs Eternal Spa includes wet and dry treatment rooms, aromatherapy, massages, facials, a garden, and a boutique, with actual mineral springs water used in all treatments.

The conference center is two-thirds its size, at 20,000 square feet.

The 18-hole, “Old Course”-designated golf course, reflecting the 1923, Donald Ross-designed rendition, is the third such creation after that of Spencer Oldham in 1895 and the intermittent, nine-hole, A. W. Tillinghast version of 1912.

Aside from golfing, the Bedford Springs Resort offers a considerable array of activities, including indoor and outdoor swimming, hiking and bicycling on 25 miles of trails, fishing in a gold-medal trout stream, kayaking, river rafting, and cross-country skiing, and hosts a wide range of functions, from reunions to horse-and-carriage weddings.

A graduate of Long Island University-C.W. Post Campus with a summa-cum-laude Bachelor of Arts Degree in Comparative Languages and Journalism, I have subsequently earned the Associate in Applied Science Degree in Aerospace Technology at the State University of New York – College of Technology at Farmingdale. I have also earned the Continuing Community Education Teaching Certificate from the Nassau Association for Continuing Community Education (NACCE) at Molloy College, the Travel Career Development Certificate from the Institute of Certified Travel Agents (ICTA) at LIU, the Art and Science of Teaching Certificate at Long Island University, and completed a Multi-Genre Writing Program at Hofstra University. At SUNY Farmingdale Aerospace I completed some 30 hours of Private Pilot Flight Training in Cessna C-152 and -172 aircraft.

The Improv Comedy Club on the Water Front in Pittsburgh, Pennsylvania

Every once in awhile I love to go out to eat, laugh, have a few drinks, and kick back at the water front in Pittsburgh Pennsylvania. One of my favorite places is the Improve Comedy Club. There is every type of restaurant you could want. Every kind of shop from book stores to clothing is available in the water front. The water front offers many types of clubs for singles and couples to enjoy. There is even The Lowe’s Theatre. The atmosphere is great much to do and many places to go. The water front section of Pittsburgh will soon open riverboat gambling that is well needed. All this in one spot can end up making a great night out.

This comedy club is perfectly positioned in the right spot to get the right kind of audience. With the best comics “in my opinion” that the industry has to offer. There is a variety of talent that me, as well as the people of Pittsburgh and the surrounding areas love to come see perform. You can get something to eat there you can drink all while laughing at a famous comic. The seating is close the stage the view is great.

My wife and I have seen Bruce Bruce from BET, John Witherspoon, Adel Givens, Guy Torre and many others. The tickets were not more than $20 a piece. You can get your ticket on the website I will give you at the end of the article or at the door. The Improv is surrounded by restaurants such as Rock Bottom Brewery, Mitchell’s Fish Market, and Cucina Italiana. Some of the shops include Filene’s Basement, Barnes and Noble, Abercrombie and Fitch, and old fashioned village square full of upscale shops. You never have to be worried about what time you get there because there is a Dave and Busters right in the middle of the action and Lowe’s Theater to enjoy a movie with you partner.

You can go just around the corner from the Improv to Lowe’s Cineplex and watch a movie in the big theater that serves beer so you can enjoy the movie and have a drink or two while you’re at it. The theater offers all the newest movies with stadium seating and surround sound. The Lowe’s Theater is very clean and has very polite employees.

Dave and Buster’s not only have wonderful food but it offers great gaming for all ages. You can go with your friends your partner or even your whole family. This place is for all those people who still enjoy being a kid. There is every kind of game you can imagine. When you take your kids you can take all the tickets you win and they win and get them a great prize to enjoy. If you don’t use all the ticket you keep them and use them next time. I have taken my family there a few times and it was a great fun.

I can honestly say that Pittsburgh, Pennsylvania is becoming an attractive city. With the new ground breaking construction for the casino there is going to be a lot more to offer as well as having a great time. You can either win or lose some money. See me I’m a big gambler more like a risk taker that wins sometimes and loses sometimes, but either way I will have a ball. This will be the first casino in the city of Pittsburgh encase you are wondering why I’m so excited about it. My wife and I don’t travel much but we got to enjoy Atlantic City over her birthday one year, it was great. We really had a wonderful time. Now we can travel less than and hour away to enjoy our own casino.

Weekends are for the working world to enjoy because we all know that the weekend starts and ends way to quick. As soon as you get into the weekend mode it’s Sunday night and you have to go to work in the morning. Is it just me or is it that friends always want to go out and do something the weekend that you have to work? Why couldn’t they want to do something the Thursday I had off last week, no they want to do something the only Saturday I have to work that month. Then when you’re off they have to work. I wish I got paid to party like the MTV people.

That’s why the comedy clubs are so fun to me is because the more I laugh the more I feel better about life in general. I want to live a long happy life with a lot of memories. I live in a small county but I love to travel to the city every once in a while enjoy a good night out with my wife, friends, or by myself and just meet people. Before the water front development Pittsburgh was a boring city other then the Steelers winning then the city awakes.

So to sum it all up if you ever decide to travel to Pittsburgh, Pennsylvania be sure to visit the water front and have a good time at the Improv comedy club. You can eat, drink, and have a great time that’s what life is all about. I don’t know how everyone else is but I feel you have to live life to the fullest.

New York’s Garment District – The Hub of the Fashion Industry

The Garment District of New York is in Manhattan, which came into being as a result of the after effects of the American Civil War. It is located between 5th Avenue and 9th Avenue from 34th to 42nd Street.

Known as the fashion centre for manufacturing and designing garments in the United States, the Garment District came about in the 20th century when law made it illegal to manufacture in residential buildings. So the manufacturers had to move to downtown Manhattan.

After the Civil War the immigrants newly arrived put their tailoring skills to good use in order to earn a living. Working from their homes some even hired others to help with the growing work loads and thereby starting small projects, which incorporated buying fabric, designing, cutting and sewing.

A change in fashion trends too occurred at this time which caused major changes in the fashion industry. Women started wearing more dresses as opposed the earlier skirts and blouses. This was another reason that caused manufacturers to move as they needed bigger show rooms to showcase the new dresses and designs. Also they preferred to be situated close to the new department stores that were coming up. As the quality of the readymade garment increased more and more people purchased these, as opposed to stitching their clothes at home as the norm used to be.

With the development of the subway system and thanks to the Penn Station buyers from out of town were able to travel directly to the Garment District and as a result many hotels, theatres and entertainment venues came into being, as the area prospered.

Nowadays it is possible to experience the Garment District through walking tours that will give visitors a complete feel for the area. Plus as an added bonus you will get a thorough knowledge of the area, introductions to sample sales, designer sales and so on. This is a great way to enjoy some good old fashioned shopping along with a tour. The area is still the hub of the fashion industry and as the area where fashion is created it is a must visit for all those interested in the very essence of fashion.

Of course it is not all about the fashion industry. For those who would also like to see other diverse sites can from Manhattan’s Garment District visit such New York staples as the Empire State Building, the Chrysler Building and the Statue of Liberty to mention a very few.

The Garment District is the hub of the New York fashion industry even the exact area is quite small, one square mile or there about. It is home to a number of major fashion labels, the whole production process and caters to mostly wholesale selling. This has the perfect blend of talent and business acumen.

As it is such a popular area as are indeed most of the areas in New York, there are many hotels in the Garment District New York. Accommodation is easy to find with different types being available to suit different budgets and needs. Hotels such as Hudson Hotel, Hotel Pennsylvania, the New Yorker or the Manhattan Inn Hostel are some of the good choices to pick from and with a little time, effort and research you can find the hotel best suited for your need during your stay in the Garment District New York.

Back in Time – A Trip Through Pennsylvania Dutch Country

The rolling hills dotted with 19th century farms and winding pastoral roads through Lancaster County, Pennsylvania, are a world apart from the rest of the state. Worth the trip, the peace and wonder of stepping back in time steal over you, while exploring the Pennsylvania Dutch Country.

You will find more than quaint farms, horses, and buggies. Nineteenth century covered bridges add charm to the country roads, as you search for unique antiques and art. Lancaster County, on the border of the Mason-Dixon Line, played a role in the Underground Railroad.

Many of the farmers in the area are “Plain People,” also known as old order Amish or Mennonite. They live in much the same way past generations have and do not use electricity, telephones, or modern equipment. The Amish are known for their dedication to family, farm, and community, second only to God. They are master craftsmen and artisans, and you will find the most scrumptious baked goods in Amish country.

Beginning in Strasburg, just southeast of Lancaster, head east out of town on Route 741, then south on Route 896. After making a left on Route 372, you will find your way to the town of Christiana. On September 11, 1851, four Quaker men and 34 escaped slaves stood up to a southern landowner who came to retrieve the slaves. The plantation owner’s men fled and, in the end, he lost his life.

The Christiana Underground Railroad Center at the historic Zercher’s Hotel documents this event and others that led up to the American Civil War. At the time of the resistance, the building was used a hotel owned by Frederick Zercher. It has also served as a railroad depot, post office, telegraph office, and jail. Currently, along with the museum, the building houses the offices of the Charles Bond Company, a manufacturing firm.

There are several covered bridges in the area, but they can be a little tricky to find and require you to definitely get off the main roads. Following Route 372 east out town for about a mile, at an unmarked intersection the highway turns right. Take the road less traveled and turn left. Bear right along with the road as it curves by the bridge. Mercer’s Mill Covered Bridge was built in 1880.

After seeing the bridge, turn around and begin to retrace your steps back to Strasburg. There are several other covered bridges located within 10 miles. The Pine Grove Covered Bridge, on Ashville Road, is the only double-span, double-arch bridge in use in the county, at 204 feet. It was originally built in 1816, and then rebuilt several times because of flooding. On Academy Road, the White Rock Covered Bridge is the second oldest covered bridge still open for use in the county.

Near Strasburg, visit the Railroad Museum of Pennsylvania just off of Route 741. At the Strasburg Railroad, take a 45-minute train ride to explore the countryside on the nation’s oldest short-line railway built in 1832. Venturing back into town, the Strasburg Country Store and Creamery is a fine place to find some old fashioned sweet treats. It will give you an opportunity to explore the other charming shops and local interests.

To truly surround yourself in the agrarian culture, consider staying at a working farm bed and breakfast. There are dairy farms, horse farms, farms where you can relax and enjoy the country life and others where you might as well join in and help. On the Ben-Mar Farm in Gap, Pennsylvania, you could stay in the family’s 1776 homestead and join in the day-to-day operations of the working dairy farm. Find similar accommodations, at the website, to make your stay in Lancaster County complete.